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Discover Our Films
Filmography
Welcome to MOJOTALE, your go-to destination for captivating films. Explore our collection and immerse yourself in the world of storytelling. Our films are crafted with passion and creativity, offering an unforgettable experience for every viewer.
SAHOBASHE
The story revolves around the life of an unmarried couple who live together. However, as we get to know every chapter of their lives we realize that they are troubled with individual commitments, deception, arguments and a hidden mystery that brings them together.
APORAJEYO
Suvankar Sanyal, an honest and compassionate lawyer, dedicates his life to assisting those who face injustice within the legal system. Tragedy strikes when his wife falls ill. While considering retirement, an unexpected incident forces him to reevaluate his decision.
DOAANSH
In the heart of Sundarban`s Creek, 59-year-old Sarathi Sardar embarks on a daring journey with her granddaughter Jhumri, seeking refuge from the shadows of tigers and crocodiles that claimed her family one by one.
RED KNOTS
The documentary explores Sonagachi's historical roots and modern Kolkata's sexual dynamics, referencing ancient texts and theories while exposing societal repression and its impact on sex workers, culminating in a poignant critique of cultural hypocrisy.
CHOCOLATE
CHOCOLATE explores how politics affects ordinary people in their daily lives. Every vote in our Bengal generates new hopes and aspirations among the people, as well as terror. When we turn on the news, we see how ordinary people are killed in political riots. Politics is inextricably linked with ordinary people, but even small children who do not understand politics perish as a result of political terror. Everyone in today's world, from farmers to professors, is powerless due to politics. So our film depicts political exploitation and oppression in a village. Where during the assembly elections. A young girl witnesses the harsh reality of Bengali politics.
RAJANIGANDHA
RAJANI is a call girl, she makes income by selling her body to big clients. She has been forced by her husband RATAN to enter in this line of red light area, Sonagachi. One day she ends up meeting a client name BIJU (Bijesh), who is basically a good hearted corporate guy, and discovers the truth that BIJU is her own brother, with whom she got disconnected when BIJU was only 7 months, as their mother left their house and took away BIJU with her. What will happen to RAJANI finally after knowing the truth?
AABAR ESHO MAA
upcoming
In a poignant tale of human connection and unexpected empathy, a woman working as a prostitute receives a call from a customer, asking her to visit his house before midnight. She arrives with uncertainty, only to find herself part of an unusual request. The customer reveals that he has a blind daughter whose mother passed away years ago, and this night marks the child's birthday. He wishes for someone to take on the role of the child's mother, even if just for a few hours.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Anindita a young college girl has come across with Bagharoo a Gambhira artist who had left Gambhira (a folk art form from Malda) because of today's cultural degradation of this art form. While doing research work for her college project Anindita has revisited the time of Gambhira's glorious days through the word of Bagharoo. She understands the crisis of this art form and does connect herself spiritually with this art form. She also encourages Bagharoo to write Gambhira again. Nana
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
SAHOBASHE
The story revolves around the life of an unmarried couple who live together. However, as we get to know every chapter of their lives we realize that they are troubled with individual commitments, deception, arguments and a hidden mystery that brings them together.
APORAJEYO
Suvankar Sanyal, an honest and compassionate lawyer, dedicates his life to assisting those who face injustice within the legal system. Tragedy strikes when his wife falls ill. While considering retirement, an unexpected incident forces him to reevaluate his decision.
DOAANSH
In the heart of Sundarban`s Creek, 59-year-old Sarathi Sardar embarks on a daring journey with her granddaughter Jhumri, seeking refuge from the shadows of tigers and crocodiles that claimed her family one by one.
RED KNOTS
The documentary explores Sonagachi's historical roots and modern Kolkata's sexual dynamics, referencing ancient texts and theories while exposing societal repression and its impact on sex workers, culminating in a poignant critique of cultural hypocrisy.
CHOCOLATE
CHOCOLATE explores how politics affects ordinary people in their daily lives. Every vote in our Bengal generates new hopes and aspirations among the people, as well as terror. When we turn on the news, we see how ordinary people are killed in political riots. Politics is inextricably linked with ordinary people, but even small children who do not understand politics perish as a result of political terror. Everyone in today's world, from farmers to professors, is powerless due to politics. So our film depicts political exploitation and oppression in a village. Where during the assembly elections. A young girl witnesses the harsh reality of Bengali politics.
RAJANIGANDHA
RAJANI is a call girl, she makes income by selling her body to big clients. She has been forced by her husband RATAN to enter in this line of red light area, Sonagachi. One day she ends up meeting a client name BIJU (Bijesh), who is basically a good hearted corporate guy, and discovers the truth that BIJU is her own brother, with whom she got disconnected when BIJU was only 7 months, as their mother left their house and took away BIJU with her. What will happen to RAJANI finally after knowing the truth?
AABAR ESHO MAA
upcoming
In a poignant tale of human connection and unexpected empathy, a woman working as a prostitute receives a call from a customer, asking her to visit his house before midnight. She arrives with uncertainty, only to find herself part of an unusual request. The customer reveals that he has a blind daughter whose mother passed away years ago, and this night marks the child's birthday. He wishes for someone to take on the role of the child's mother, even if just for a few hours.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Anindita a young college girl has come across with Bagharoo a Gambhira artist who had left Gambhira (a folk art form from Malda) because of today's cultural degradation of this art form. While doing research work for her college project Anindita has revisited the time of Gambhira's glorious days through the word of Bagharoo. She understands the crisis of this art form and does connect herself spiritually with this art form. She also encourages Bagharoo to write Gambhira again. Nana
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
SAHOBASHE
The story revolves around the life of an unmarried couple who live together. However, as we get to know every chapter of their lives we realize that they are troubled with individual commitments, deception, arguments and a hidden mystery that brings them together.
APORAJEYO
Suvankar Sanyal, an honest and compassionate lawyer, dedicates his life to assisting those who face injustice within the legal system. Tragedy strikes when his wife falls ill. While considering retirement, an unexpected incident forces him to reevaluate his decision.
DOAANSH
In the heart of Sundarban`s Creek, 59-year-old Sarathi Sardar embarks on a daring journey with her granddaughter Jhumri, seeking refuge from the shadows of tigers and crocodiles that claimed her family one by one.
RED KNOTS
The documentary explores Sonagachi's historical roots and modern Kolkata's sexual dynamics, referencing ancient texts and theories while exposing societal repression and its impact on sex workers, culminating in a poignant critique of cultural hypocrisy.
CHOCOLATE
CHOCOLATE explores how politics affects ordinary people in their daily lives. Every vote in our Bengal generates new hopes and aspirations among the people, as well as terror. When we turn on the news, we see how ordinary people are killed in political riots. Politics is inextricably linked with ordinary people, but even small children who do not understand politics perish as a result of political terror. Everyone in today's world, from farmers to professors, is powerless due to politics. So our film depicts political exploitation and oppression in a village. Where during the assembly elections. A young girl witnesses the harsh reality of Bengali politics.
RAJANIGANDHA
RAJANI is a call girl, she makes income by selling her body to big clients. She has been forced by her husband RATAN to enter in this line of red light area, Sonagachi. One day she ends up meeting a client name BIJU (Bijesh), who is basically a good hearted corporate guy, and discovers the truth that BIJU is her own brother, with whom she got disconnected when BIJU was only 7 months, as their mother left their house and took away BIJU with her. What will happen to RAJANI finally after knowing the truth?
AABAR ESHO MAA
upcoming
In a poignant tale of human connection and unexpected empathy, a woman working as a prostitute receives a call from a customer, asking her to visit his house before midnight. She arrives with uncertainty, only to find herself part of an unusual request. The customer reveals that he has a blind daughter whose mother passed away years ago, and this night marks the child's birthday. He wishes for someone to take on the role of the child's mother, even if just for a few hours.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Anindita a young college girl has come across with Bagharoo a Gambhira artist who had left Gambhira (a folk art form from Malda) because of today's cultural degradation of this art form. While doing research work for her college project Anindita has revisited the time of Gambhira's glorious days through the word of Bagharoo. She understands the crisis of this art form and does connect herself spiritually with this art form. She also encourages Bagharoo to write Gambhira again. Nana
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
SAHOBASHE
The story revolves around the life of an unmarried couple who live together. However, as we get to know every chapter of their lives we realize that they are troubled with individual commitments, deception, arguments and a hidden mystery that brings them together.
APORAJEYO
Suvankar Sanyal, an honest and compassionate lawyer, dedicates his life to assisting those who face injustice within the legal system. Tragedy strikes when his wife falls ill. While considering retirement, an unexpected incident forces him to reevaluate his decision.
DOAANSH
In the heart of Sundarban`s Creek, 59-year-old Sarathi Sardar embarks on a daring journey with her granddaughter Jhumri, seeking refuge from the shadows of tigers and crocodiles that claimed her family one by one.
RED KNOTS
The documentary explores Sonagachi's historical roots and modern Kolkata's sexual dynamics, referencing ancient texts and theories while exposing societal repression and its impact on sex workers, culminating in a poignant critique of cultural hypocrisy.
CHOCOLATE
CHOCOLATE explores how politics affects ordinary people in their daily lives. Every vote in our Bengal generates new hopes and aspirations among the people, as well as terror. When we turn on the news, we see how ordinary people are killed in political riots. Politics is inextricably linked with ordinary people, but even small children who do not understand politics perish as a result of political terror. Everyone in today's world, from farmers to professors, is powerless due to politics. So our film depicts political exploitation and oppression in a village. Where during the assembly elections. A young girl witnesses the harsh reality of Bengali politics.
RAJANIGANDHA
RAJANI is a call girl, she makes income by selling her body to big clients. She has been forced by her husband RATAN to enter in this line of red light area, Sonagachi. One day she ends up meeting a client name BIJU (Bijesh), who is basically a good hearted corporate guy, and discovers the truth that BIJU is her own brother, with whom she got disconnected when BIJU was only 7 months, as their mother left their house and took away BIJU with her. What will happen to RAJANI finally after knowing the truth?
AABAR ESHO MAA
upcoming
In a poignant tale of human connection and unexpected empathy, a woman working as a prostitute receives a call from a customer, asking her to visit his house before midnight. She arrives with uncertainty, only to find herself part of an unusual request. The customer reveals that he has a blind daughter whose mother passed away years ago, and this night marks the child's birthday. He wishes for someone to take on the role of the child's mother, even if just for a few hours.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Handing over a saree that once belonged to his late wife, he asks the woman to wear it but insists that she not use any perfume, fearing the lingering scent of his wife will be lost forever. She agrees, and they head to the rooftop where the father-daughter duo celebrates the birthday with simplicity and warmth. Throughout the night, the woman finds herself sharing heartfelt conversations with the man, discussing their lives, struggles, and the unspoken weight of their choices.
As dawn approaches, the celebration comes to an end. The man drops her off at her doorstep, and both return to their separate worlds, carrying a piece of each other's stories. In a fleeting yet profound encounter, two strangers find solace in their shared loneliness, leaving a lasting impression on each other.
Anindita a young college girl has come across with Bagharoo a Gambhira artist who had left Gambhira (a folk art form from Malda) because of today's cultural degradation of this art form. While doing research work for her college project Anindita has revisited the time of Gambhira's glorious days through the word of Bagharoo. She understands the crisis of this art form and does connect herself spiritually with this art form. She also encourages Bagharoo to write Gambhira again. Nana
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
Hee (Dear God) is a musical time travel revisiting this minor folk art form called Gambhira.
OUR UPCOMING
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